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中世陶器の意匠
https://doi.org/10.18924/00000395
https://doi.org/10.18924/00000395bc7da1e6-5c9f-4a8d-a66a-2b02401b4cab
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00006843379.pdf (5.2 MB)
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| Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2009-03-30 | |||||
| タイトル | ||||||
| タイトル | 中世陶器の意匠 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | Design of Japanese Medieval Ceramic | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| ID登録 | ||||||
| ID登録 | 10.18924/00000395 | |||||
| ID登録タイプ | JaLC | |||||
| 雑誌書誌ID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10029312 | |||||
| ページ属性 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | P | |||||
| 論文名よみ | ||||||
| タイトル | チュウセイトウキノイショウ | |||||
| 言語 | ja-Kana | |||||
| 著者 |
泉, 滋三郎
× 泉, 滋三郎× Izumi, Shigesaburo |
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| 著者所属(日) | ||||||
| 神奈川歯科大学 | ||||||
| 著者所属(英) | ||||||
| en | ||||||
| Kanagawa Dental College | ||||||
| 抄録(英) | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | Japanese medieval ceramic was made from the end of the Heian era to the Muromachi age. It was made with the technologies of old glaze pottery and the Sueki Tradition. Kilns used to make this ceramic were located in Seto, Atsumi, Tokoname, Echizen, Tanba, Bizen, Shigaraki, and Suzu. It is usually found in archeological digs of burial sites, having been utilized as a container for human remains. Another use was as a receptacle for Buddhist holy writings that were buried (Kyouzuka) to preserve them for their intended purpose in the far distant future. These medieval people practiced a religious life of fervent Buddhism and Taoism. Medieval ceramic was not to be used for ordinary daily purposes but rather for religious purposes. Seto pottery has a glaze with a light green color; it is similar to Chinese ceramic. The meaning of patterns such as 'lotus flower' and 'autumn view' on jars from Atsumi and Suzu was "pure land". Jars from Tokoname, Echizen, and Tanba are covered with a natural glaze. The natural glaze is formed during calcining in the kiln, the vessel having been coated with wood ash. Medieval people believed the fire god created the natural glaze. Jars covered in natural glaze were symbolic of another world and pure land. Although there is an important difference between jars with patterns and those with a natural glaze, they have the same symbolic significance. | |||||
| 書誌情報 |
ja : 基礎科学論集 : 教養課程紀要 en : Bulletin of liberal arts and science 巻 26, p. 97-109, 発行日 2008 |
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| 出版者 | ||||||
| 出版者 | 神奈川歯科大学 | |||||
| 言語 | ja | |||||
| 表示順 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | 2 | |||||
| アクセション番号 | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | KJ00006843379 | |||||
